Getting the Point… by Louie Crew

 

Getting the Point

Priapism is a potentially painful medical condition, in which the erect penis or clitoris does not return to its flaccid state, despite the absence of both physical and psychological stimulation, within four hours.

There are two types of priapism: low-flow and high-flow

80% to 90% of clinically presented priapisms are low flow disorders. Low-flow involves the blood not adequately returning to the body from the organ.

High-flow involves a short-circuit of the vascular system partway along the organ. Treatment is different for each type.

Priapism is considered a medical emergency, which should receive proper treatment by a qualified medical practitioner. Early treatment can be beneficial for a functional recovery.

The duration time of a normal erection before it is classifiable as priapism is still controversial. Ongoing penile erections for more than 6 hours can be classified as priapism.

The name comes from the Greek god Priapus, Πρίαπος, a fertility god often represented with a disproportionately large and permanent erection.

 

Louie Crew, an Alabama native, 75, is an emeritus professor at Rutgers and lives in East Orange, NJ, with Ernest Clay, his husband of 37 years.

As of January 2012, editors have published 2,165 of Crew’s poems and essays. Crew has edited special issues of College English and Margins. He has written four poetry volumes Sunspots (Lotus Press, Detroit, 1976) Midnight Lessons (Samisdat, 1987), Lutibelle’s Pew (Dragon Disks, 1990), and Queers! for Christ’s Sake! (Dragon Disks, 2003). You can follow his work at http://rci.rutgers.edu/~lcrew/pubs.html

Getting the Point was found by Louie Crew in Wikipedia at http://en.wikipedia.org/wiki/Priapism.

See also http://en.wikipedia.org/wiki/Louie_Crew. The University of Michigan collects Crew’s papers.

Copyright © 2012 by Louie Crew

 
 
 
 
 
 

Christmas Chai… by Jessica Tyner

 

Christmas Chai

That Christmas I gave you an aphotic
steel teapot and you taught me
how to make chai.
I filled the gaping vessel’s mouth with tap water
while you peeled slices of unwashed
ginger root. Two spoons
of Taj Mahal ground tea, a mouthful
for each.
Cardamom pods, cracked with your crooked teeth
and pried open with fingernails, tossed
helpless in the boil. Milk
comes last,
an opaque white stream
soothing dark spiced water.
The sweetness we could never agree on.
My slow honey, your raw
sugar. That Christmas you gave me words wrapped
in a lilting accent and I taught you
how to say I love you.
I opened my mouth to take you in
while you peeled away clothes from the night
before to spoon,
together, on the mattress.
You bit my shoulder, red fissures from teeth
while I pulled your frenzied hair. Lost together
in the cheap red sheets,
I never came last.
And the sweetness
we could never agree on.

 

Jessica Tyner is originally from Oregon, USA, a member of the Cherokee Nation, and has been a writer and editor for ten years. Currently, she is a copy writer for Word Jones, a travel writer with Mucha Costa Rica, a writer for TripFab, a copy editor at the London-based Flaneur Arts Journal, and a contributing editor at New York’s Thalo Magazine. She has recently published short fiction in India’s Out of Print Magazine, and poetry in Slow Trains Literary Journal, Straylight Magazine, Solo Press, and Glint Literary Journal. She lives in San José, Costa Rica.

Copyright © 2012 by Jessica Tyner

 
 

 

 

Note To Self…by Thomas Zimmerman

 

Note To Self

It’s Mahler’s Sixth, with Szell conducting, on
the stereo:
                  the tragic in our art
and lives is what I’m thinking now, the part
we play within the cycle.
                                        Wife is gone,
and dogs are fed, asleep. I’m with my self
or selves, my many deaths and births.
                                                                The gold-
brown leaves shot through with sun, the crumbling shelf
of cloud beyond the neighbors’ house that’s old
but freshly painted and reroofed, the new
blue vein I see on my left shin. . .
                                                     and now,
from woodwinds, strings, the brass erupts.
                                                                    How do
we handle flux? Catholicism, Tao,
or Hamlet’s calm “Let be?”
                                            My wife comes back
tomorrow. Percy yelps; he wants a snack.

 

Thomas Zimmerman teaches English, directs the Writing Center, and edits two literary magazines at Washtenaw Community College, in Ann Arbor, MI. Poems of his have appeared recently in Antiphon, Electric Windmill Press, and The Petrichor Review. You can link here to Tom’s website: www.thomaszimmermanonline.com

Copyright © 2012 by Thomas Zimmerman

 
 
 
 
 

Observations of a Mirror… by Terence Kuch

 

Observations of a Mirror

It hangs against the bedroom wall and turns
left-right the lifeless things it sees: a faintly
flowered chair with curving legs and freckled

arms, headless robe a-sprawl the bed.

And through the closet door the silent suits
step out toward it one each day and dress
parade salute about face march away
to rout the plaidies from their glen, un-nest
the wing-tips from the upper floors, then home

to hang again.

                           Turn your back, the mirror
has your head and arms and swings them in
a mocking silent dance until you suddenly
turn and it solemnly puts you on
                                                            again.

 

Terence Kuch is a consultant, avid hiker, and world traveler. His poetry credits include Blinking Cursor, Commonweal, Copperfield Review, Diagram, Hobble Creek Review, New York magazine, Poetry Motel, Slant, Thema, Timber Creek Review, Yellow Mama, and others. He has read at the Renwick Gallery of the National Museum of American Art, the International Monetary Fund Visitors’ Center, the MAC (McKinney Avenue Contemporary) Theatre in Dallas, and elsewhere.

Observations of a Mirror was previously published in Thema, 1994

Copyright © 1994 by Terence Kuch

 
 
 
 
 
 

DXing to Green, Green Grass… by Nathaniel S Rounds

 

DXing to Green, Green Grass

A one act dramedy in pantomime
Written on the back of a falling star
That was crushed and cut into a
Livery collar for Christ’s homeless and forgotten.
(Approximate time: 1/125 sec)

Exposition: John Bristling had no business driving a car, or filling a
Jerry can with gasoline at the corner gas on Commercial Street,
Or placing it in the passenger seat before pulling out from the self serve,
Only to turn his ’68 Plymouth Fury III
Into a burning inferno.

His phizog transformed from cornflower blue eye shadow, tweaked and
Darkened moustache and audible breath like a drip coffee machine sighing
Water vapour and air, to moth balls in jacket pockets, and vague smell of poop
On index finger, then converted to conformist malaise,
Finally settling upon a cheap, chicken hot dog split and burnt with bubbling
Ick and way too much mustard, smoke, and ash.

His body remained motionless when the burning vehicle hit a power pole.
He was alert for a moment,
But curiously did not feel pain. He felt peace, a happy end note.
He had desisted from sin and left behind
All sleepless nights,
Inexplicable dreams,
Untreated symptoms of a psychoneurotic
Mind and its myriad obsessive
And hysterical symptoms.

What was the principle cause of his demise?
Insomnia induced through shift work?
Or the three burning fondue pots that shared company with the jerry can?
The explosion had been marked by his biting into a bright, red apple, the crunch
Replaced by a BOOM.

The remains were interred in harmony with Bristling’s written instructions:
His body, sans heart, was wrapped in a buffalo plaid blanket, and left in a tree
In the Arthur E. Bezanson Centennial Park.
His heart was placed in a jar of bread and butter
Pickles and left behind Berwick Building Supplies.

The knave took flight in a coach-of-four
We shan’t hear of him anymore.

Bristling’s friend, Palti son of Ralph,
Expressed extreme displeasure over the tree chosen for the body.
He removed the body by moonlight and moved it to a grade primary classroom,
“To further the education of young, impressionable minds.”
He left the body with a
Turkey carving instruction manual and twenty pairs of safety scissors.

His actions coming to the attention of the RCMP,
Palti was arrested and held on a five hundred dollar bond,
But not before he recovered the jar and ate the rest of the pickles.

We may take comfort in the grand felicitation that awaits him
Upon his return to a world made anew.

In Recover’d Paradise,
Cats shall not scratch him and rub flees into his ankles.
Recycling will not be such torment.
Every sock shall have a twin.
The entire iceberg of his unsettled affairs
Will rise from the arctic waters of contemporary society and
Manifest itself, leaving only the imagination to the imagination, and only
In the most pleasant sense, like the smell of laundry drying on the line in earliest
Autumn, imparting pleasant counterpoint to the smell of burning wood fire.

 

Nathaniel S Rounds A reformed photographer born in Wichita Falls, Texas, Nathaniel S. Rounds writes from Halifax, Nova Scotia. He has been contributing work to Scrivener, Cynical Review, and Arsenic Lobster for the past twenty-six years.

Copyright © 2012 by Nathaniel S Rounds